🍒
2026
Sculpture and base: approx. 120 × 100 × 160 cm
Wall-mounted monitors are not included in these dimensions
Photographic slideshows and video; looping
Complete worn outfit and accessories purchased from a woman living in Saitama, Japan: grey cable-knit cardigan with faux-fur trim, pleated miniskirt, inner top, underwear, black socks, loafers, bag, and accessories; epoxy resin, plastic, steel armature, wire, coffee table, wooden platform, Starbucks cup, and other mixed media.
Two wall-mounted monitors present the seller’s photographs and video of herself wearing the outfit, and the studio’s item-by-item record of the received clothes, accessories, and shipping box.
Exhibition: Hysteresis, NCCU Arts & Culture Center, Taipei, 2026.
🍒 extends the sock sculptures from a brief recording of wearing and removal to a complete outfit worn out for a day. Contact began through the seller’s business offering worn socks and underwear. The request was for an everyday outfit exactly as she would wear it out, negotiated piece by piece; she wore it out that weekend and photographed herself in it. She did not ship abroad and would only sell through Mercari, so the outfit was bought from a reserved listing by a Japanese proxy buyer, then passed to a separate freight forwarder for shipment to Taiwan.
On arrival, every item and its packaging were photographed. The garments were then hardened separately in resin and assembled on a steel armature. The ensemble is turned upside down and opened: a sock and loafer rise to the top, underwear emerges among the outer layers, and a cardigan sleeve reaches down to the table.
The support develops from her photographs. A similar dark, white-veined table and a Starbucks cup, tipped on its side, recall images of her seated with a drink. Black forms wrapped in clear plastic echo an unidentified covered object behind her in another photograph. Details surrounding her become the structure beneath her clothes, while the two screens set the worn ensemble against the individual objects the sculpture was made from.
2026
Sculpture and base: approx. 120 × 100 × 160 cm
Wall-mounted monitors are not included in these dimensions
Photographic slideshows and video; looping
Complete worn outfit and accessories purchased from a woman living in Saitama, Japan: grey cable-knit cardigan with faux-fur trim, pleated miniskirt, inner top, underwear, black socks, loafers, bag, and accessories; epoxy resin, plastic, steel armature, wire, coffee table, wooden platform, Starbucks cup, and other mixed media.
Two wall-mounted monitors present the seller’s photographs and video of herself wearing the outfit, and the studio’s item-by-item record of the received clothes, accessories, and shipping box.
Exhibition: Hysteresis, NCCU Arts & Culture Center, Taipei, 2026.
🍒 extends the sock sculptures from a brief recording of wearing and removal to a complete outfit worn out for a day. Contact began through the seller’s business offering worn socks and underwear. The request was for an everyday outfit exactly as she would wear it out, negotiated piece by piece; she wore it out that weekend and photographed herself in it. She did not ship abroad and would only sell through Mercari, so the outfit was bought from a reserved listing by a Japanese proxy buyer, then passed to a separate freight forwarder for shipment to Taiwan.
On arrival, every item and its packaging were photographed. The garments were then hardened separately in resin and assembled on a steel armature. The ensemble is turned upside down and opened: a sock and loafer rise to the top, underwear emerges among the outer layers, and a cardigan sleeve reaches down to the table.
The support develops from her photographs. A similar dark, white-veined table and a Starbucks cup, tipped on its side, recall images of her seated with a drink. Black forms wrapped in clear plastic echo an unidentified covered object behind her in another photograph. Details surrounding her become the structure beneath her clothes, while the two screens set the worn ensemble against the individual objects the sculpture was made from.
🍒
2026
雕塑與基座尺寸：約 120 × 100 × 160 公分
壁掛螢幕不包含於上述尺寸
照片幻燈影像與影片，循環播放
向一位居住於日本埼玉的女性購得、由其實際穿用的整套服裝與配件：附仿毛飾邊的灰色麻花針織開襟衫、百褶迷你裙、內搭上衣、內衣褲、黑襪、樂福鞋、包袋與配件；環氧樹脂、塑膠、鋼製骨架、金屬線、茶几、木製平台、星巴克杯及其他複合媒材。
兩部壁掛螢幕分別呈現賣家穿著這套服裝的照片與影片，以及工作室在收件後，逐件拍攝衣物、配件與運送紙箱的影像紀錄。
展覽：《遲滯》，國立政治大學藝文中心，台北，2026。
🍒 將襪子雕塑中短暫的穿脫紀錄，延展為一套實際穿著外出一整天的服裝。最初的聯繫，始於賣家販售穿過的襪子與內衣褲的生意。這次提出的要求，是購買她平日外出時真正會穿的一整套衣著，並逐件商議內容。她在那個週末穿著這套服裝出門，拍下自己穿用的樣貌。由於她不寄送海外，也只接受透過 Mercari 交易，因此先由日本代購業者買下為此設立的專用賣場商品，再交由另一家轉運業者寄往台灣。
衣物抵達後，每一件物品與包裝都先經過攝影記錄。衣物隨後分別以樹脂硬化，再組裝於鋼製骨架上。整套衣著被倒置並展開：襪子與樂福鞋升至頂端，內衣褲從外層衣物之間顯露，開襟衫的一隻袖子則向下伸至桌面。
承托結構從她的照片發展而來。一張相近的深色白紋桌面，以及側倒的星巴克杯，呼應她坐著喝飲料的影像。覆以透明塑膠的黑色形體，則回應另一張照片中，她身後一件被包裹而無法辨識的物件。原本環繞她的細節，成為衣物下方的結構；兩部螢幕則讓這組曾被穿用的衣著，與構成雕塑的各件物品相互映照。
2026
雕塑與基座尺寸：約 120 × 100 × 160 公分
壁掛螢幕不包含於上述尺寸
照片幻燈影像與影片，循環播放
向一位居住於日本埼玉的女性購得、由其實際穿用的整套服裝與配件：附仿毛飾邊的灰色麻花針織開襟衫、百褶迷你裙、內搭上衣、內衣褲、黑襪、樂福鞋、包袋與配件；環氧樹脂、塑膠、鋼製骨架、金屬線、茶几、木製平台、星巴克杯及其他複合媒材。
兩部壁掛螢幕分別呈現賣家穿著這套服裝的照片與影片，以及工作室在收件後，逐件拍攝衣物、配件與運送紙箱的影像紀錄。
展覽：《遲滯》，國立政治大學藝文中心，台北，2026。
🍒 將襪子雕塑中短暫的穿脫紀錄，延展為一套實際穿著外出一整天的服裝。最初的聯繫，始於賣家販售穿過的襪子與內衣褲的生意。這次提出的要求，是購買她平日外出時真正會穿的一整套衣著，並逐件商議內容。她在那個週末穿著這套服裝出門，拍下自己穿用的樣貌。由於她不寄送海外，也只接受透過 Mercari 交易，因此先由日本代購業者買下為此設立的專用賣場商品，再交由另一家轉運業者寄往台灣。
衣物抵達後，每一件物品與包裝都先經過攝影記錄。衣物隨後分別以樹脂硬化，再組裝於鋼製骨架上。整套衣著被倒置並展開：襪子與樂福鞋升至頂端，內衣褲從外層衣物之間顯露，開襟衫的一隻袖子則向下伸至桌面。
承托結構從她的照片發展而來。一張相近的深色白紋桌面，以及側倒的星巴克杯，呼應她坐著喝飲料的影像。覆以透明塑膠的黑色形體，則回應另一張照片中，她身後一件被包裹而無法辨識的物件。原本環繞她的細節，成為衣物下方的結構；兩部螢幕則讓這組曾被穿用的衣著，與構成雕塑的各件物品相互映照。
